Few things give me more joy than sitting around and talking music with other knowledgeable nerds, so I’m always particularly appreciative when Chris Coleman of Tracksounds.com invites me on their film score podcast (The Soundcast).
This week, we all gave our thoughts on the Lucas/Disney news and who we thought would direct and score the new episodes, and it turned into a lively discussion with some pretty out there suggestions.
Have a listen, and check the Tracksounds page for a summary and IDing of the scores featured.
Podcast Episode 51
In 2001, when I first became aware of the Podcast concept, it was still called Audioblogging, and was very clunky (basically there were no ‘podcast clients’ or iTunes, it was just an RSS feed with an audio enclosure.) The adoption of RSS itself was in its infancy, years before the ubiquitous orange icon became standard on all sites. I was not particularly taken with the format, as there didn’t seem to be any practical use for it beyond re-purposing pre-existing media into a format that didn’t really have any easy way to consume it.
The podcast format didn’t really start to break through until Adam Curry (@adamcurry) began pushing it as an original content format with his Daily Source Code series, still going strong. But it wasn’t until April of 2005 when Apple added native podcast support in iTunes 4.9 that there became any chance of the format growing.
I really started paying attention to the format as a potential channel for compelling original content in 2006, when someone at work introduced me to Joe Vella, a long time jazz new media guy (remember JazzOnln.com? That was him) who found himself wanting to create content for the web that was intimate and told a story in a way that had been lost since the consolidation of radio. We started doing a series for Yo-Yo Ma, continued on to some Broadway titles, and at the moment we’ve got about 100 episodes created ranging from a 28-episode series about Michael Jackson’s “Thriller” (which I’m really proud of) to another 25 episodes around Stephen Sondheim.
Stay tuned for Part 2 (which is much more interesting): The WHY.
Martini Shot is hosted by Rob Long, a guy who seems to have a lot of Hollywood Insider knowledge for someone whose IMDB profile consists mainly of being involved with Cheers.
Each week, he provides a cleverly-titled 3-minute anecdote on how things really work in Hollyweird, from business lunches ending in fistfights to the networking upside of the writer’s strike to…well, you name it, really. Consider it a window into the life of one of the supporting cast, if real life were The Player.
It’s truly fascinating, and well worth spending part of your commute on (For the curious, Wikipedia explains that the “martini shot” is LA code for “the final shot of the day”.
Link: Martini Shot on KCRW.org
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I know in my day-to-day interactions with people, I talk a lot about Content being very important and a driver. Ironically, my blog has not been the best example of that. I do have a lot to say, and I will be posting here more regularly in order to say it. A lot of my musings can be found via Twitter, and there are many many links that I’d like to be able to comment on flowing through the Linkblog on the side, powered by my Delicious.com account. To start down the path, here’s a video by Christopher Penn that summarizes in a remarkable manner the reason why your business should (or should not) be in the podcast world. Important points: Metrics don’t matter, reaction matters. Podcasting is easy. Focus, focus, focus.
Link: Christopher Penn at the Inbound Marketing Summit
MJJCommunity.com interviewed me about Thrillercast today. Enjoy.
MJJCOMMUNITY.com – THE Michael Jackson Community